Authenticity and Liveness in Digital DJ Performance

Book chapter


Rietveld, HC (2016). Authenticity and Liveness in Digital DJ Performance. in: Hytönen-Ng, E and Tsioulakis, I (ed.) Musicians and their Audiences: Performance, Speech and Mediation New York (USA) and London Routledge.
AuthorsRietveld, HC
EditorsHytönen-Ng, E and Tsioulakis, I
Abstract

This chapter explores the DJ as a mediating, mediated and mediatized performer in electronic dance music in order to assess digital DJ performance in relation to audience expectations. The DJ (Disc Jockey) is understood here as a performer who not only plays existing music recordings but who creates a musical journey for their audiences through a selection, programmed to fit the mood of the crowd and the overall context of the event. In this way, the DJ operates as a type of curator and performing composer, (Rietveld, 2011, 2013a). Katz (2012: 33) further distinguishes performative DJs, or turntablists, “who treat their turntables more like musical instruments than playback devices”, while Fikentscher (2003: 290) defines “the club deejay (as) a pioneering force transforming the relationship between music as defined by performance and music conceptualized as authoritative text”. Hereby, the studio is the compositional tool, the turntable the instrument and studio produced music is (re)presented by the DJ. In the context of digitalization, this chapter, will address the blurring between studio music production, remixing, DJ-ing and music performance, from which a performative digital musicianship has emerged that is indicated here as the ‘digital DJ’. It thereby assesses innovative musical and communicative skills employed by the digital DJ to achieve effective, transformative, interaction with their participating audience.

KeywordsPopular Music Studies; Cultural Study of Music; Digital Music Performance; DJ Performance; Music Audience; DJ Culture
Year2016
Book titleMusicians and their Audiences: Performance, Speech and Mediation
PublisherRoutledge
Place of publicationNew York (USA) and London
ISBN9781472456939
Publication dates
Print08 Dec 2016
Publication process dates
Deposited18 Jul 2017
Accepted31 Mar 2016
Web address (URL)https://www.routledge.com/Musicians-and-their-Audiences-Performance-Speech-and-Mediation/Tsioulakis-Hytonen-Ng/p/book/9781472456939
Accepted author manuscript
License
Permalink -

https://openresearch.lsbu.ac.uk/item/87122

Download files

  • 627
    total views
  • 733
    total downloads
  • 5
    views this month
  • 13
    downloads this month

Export as

Related outputs

Eurorack to VCV Rack: Modular Synthesis as Compositional Performance
Rietveld, H. and Randell, J. (2024). Eurorack to VCV Rack: Modular Synthesis as Compositional Performance. in: Kitzmann, A., Teboul, E. J., Engstrom, E. and Thoren, C. (ed.) Modular Synthesis: Patching Machines and People Routledge (Taylor & Francis Group). pp. prepublication draft: 15 pages
Strutting with Streets of Rage: When Dance Music Enters the Fight
Rietveld, H. C. and Lemon, A. (2024). Strutting with Streets of Rage: When Dance Music Enters the Fight. in: Music and Sonic Environments in Video Games: listening to and Performing Ludic Soundscapes Routledge.
Editorial Introduction: Synergies Between Game Music and Electronic Dance Music in Cultural Context
Fritsch, M. and Rietveld, H. C. (2023). Editorial Introduction: Synergies Between Game Music and Electronic Dance Music in Cultural Context. Journal of Sound and Music in Video Games. 4 (1), pp. 1-8. https://doi.org//10.1525/jsmg.2023.4.1.1
The Nightclub
Rietveld, H. (2022). The Nightclub. in: Stahl, Geoff and Parcival, J. Mark (ed.) The Bloomsbury Handbook of Popular Music, Space and Place Bloomsbury Academic. pp. 22 pages
Gabber: Raising Hell in Technoculture
Rietveld, H. and Monroe, Alexei (2021). Gabber: Raising Hell in Technoculture. Metal Music Studies. 7 (3), pp. 399-421. https://doi.org/10.1386/mms_00057_1
Female Credit: Excavating Acknowledgement for the Capcom Sound Team
Rietveld, H and Lemon, A. (2021). Female Credit: Excavating Acknowledgement for the Capcom Sound Team. in: Fritsch, M and Summers, T (ed.) Cambridge Companion to Video Game Music Cambridge Cambridge University Press (CUP).
The Street Fighter Lady: Invisibility and Gender in Game Composition
Rietveld, H and Lemon, A (2019). The Street Fighter Lady: Invisibility and Gender in Game Composition. ToDiGRA Journal,. 5 (1). https://doi.org/10.26503/todigra.v5i1.112
Machine Possession: Dancing to Repetitive Beats
Rietveld, HC (2018). Machine Possession: Dancing to Repetitive Beats. in: Levaux, C and Julien, O (ed.) Over and Over: Exploring Repetition in Popular Music New York and London Bloomsbury Academic.
Dancing in the Technoculture
Rietveld, HC (2018). Dancing in the Technoculture. in: Emmerson, S (ed.) The Routledge Research Companion to Electronic Music: Reaching Out With Technology New York (USA) and London Routledge. pp. 113-134
The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition
Rietveld, HC and Lemon, A (2018). The Streetfighter Lady: Invisibility and Gender Role - Play in Game Composition. Carbone, MB and Mariani, I (ed.) DiGRA ITALIA 2018: "Women, LGBTQI & Allies: Videogiochi e identità di genere". Palermo, Italy 01 Jun 2018 DiGRA Italia.
Gabber Overdrive: Noise, Horror, and Acceleration
Rietveld, HC (2018). Gabber Overdrive: Noise, Horror, and Acceleration. Turmoil CTM Magazine.
Detroit: Techno City
Rietveld, HC and Kolioulis, A (2018). Detroit: Techno City. in: Lashua, B, Wagg, S, Spracklen, K and Yavuz, MS (ed.) Sounds and the City: Volume 2 New York (USA), London (UK), Zug (Switzerland) Palgrave Macmillan.
Echo
Rietveld, HC and Henriques, J (2018). Echo. in: Bull, M (ed.) The Routledge Companion to Sound Studies New York and London: Routledge New York (USA) and London Routledge.
Burial’s Echoic Loneliness
Rietveld, HC (2015). Burial’s Echoic Loneliness. in: Beyer, T, Burkhalter, T and Liechti, TH (ed.) Seismographic Sounds – Visions of a New World Switzerland Norient. pp. 132-134
Hear The Music, Play The Game. Music And Game Design: Interplays And Perspectives
Rietveld, HC, Carbone, MB, Gallagher, R, Newman, J, McAlpine, KB, Peñate Domínguez, F, Collins, K, Hulme, Z, Langhorst, T and Austin, M (2017). Hear The Music, Play The Game. Music And Game Design: Interplays And Perspectives. Game. 1 (6).
Introduction: Towards a Polyphonic Approach to Games and Music Studies
Rietveld, HC and Carbone, MB (2017). Introduction: Towards a Polyphonic Approach to Games and Music Studies. GAME: the Italian Journal of Game Studies. 1 (6).
Breaking the Electronic Sprawl
Rietveld, HC (2015). Breaking the Electronic Sprawl. Guerra, P and Bennett, A (ed.) Keep It Simple, Make It Fast! (KISMIF): Crossing Borders of Underground Music Scenes. Porto, Portugal 13 - 17 Jul 2015 Griffith University and University of Porto. pp. 235 - 235
Lovely Bones: Music from Beyond
Rietveld, HC (2016). Lovely Bones: Music from Beyond. in: Albiez, S. and Pattie, D (ed.) Brian Eno Oblique Music London Bloomsbury Academic. pp. 105-117
Introduction: Echoes from the Dub Diaspora
Rietveld, HC and van Veen, TC (2015). Introduction: Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2), pp. 1-4. https://doi.org/10.12801/1947-5403.2015.07.02.00
Echoes from the Dub Diaspora
van Veen, TC, Rietveld, HC, Vendryes, T, Ramstedt, K, Harries, JV, Kolioulis, A, Zuberi, N, Christodoulou, C, Partridge, C and MacLeod, EC (2015). Echoes from the Dub Diaspora. Dancecult : Journal of Electronic Dance Music Culture. 7 (2). https://doi.org/10.12801/1947-5403.2015.07.02