Crossing of Hostile Borders

Book chapter


Marchevska, E (2017). Crossing of Hostile Borders. in: Migrations: Literary and Linguistic Aspects. Cambridge Peter Lang.
AuthorsMarchevska, E
Abstract

This article explores how art can help audiences to think and feel about migration differently, by focusing on two political art projects: Tanja Ostojić’s Misplaced women? (2009-present) and Bern O'Donoghue’s Dead Reckoning (2015- present). These projects are based on experiences of crossing hostile borders. Both artists’ work explores personal, social and political aspects of displacement.

Keywordsborder violence; borders and art; migration; institutional response; privilege of movement
Year2017
Book titleMigrations: Literary and Linguistic Aspects.
PublisherPeter Lang
Place of publicationCambridge
ISBN978-3631772744
Publication dates
Print15 Mar 2019
Publication process dates
Deposited20 Nov 2017
Accepted08 Nov 2017
Web address (URL)https://www.peterlang.com/view/title/65318
Accepted author manuscript
License
File Access Level
Open
Permalink -

https://openresearch.lsbu.ac.uk/item/86wzv

Download files

  • 163
    total views
  • 27
    total downloads
  • 0
    views this month
  • 1
    downloads this month

Export as

Related outputs

Transformations across time and space
Marchevska, E. and Defrin, C. (2023). Transformations across time and space. Theatre, Dance and Performance Training. 14 (4), pp. 550-551. https://doi.org/10.1080/19443927.2023.2275904
Review: Avatars, Activism and Postdigital Performance: precarious intermedial identities
Marchevska, E. (2023). Review: Avatars, Activism and Postdigital Performance: precarious intermedial identities. International Journal of Performance Arts and Digital Media. 19 (2), pp. 285-287. https://doi.org/10.1080/14794713.2023.2213018
Reframing migrant narratives through arts practice
Marchevska, E. and Defin, C. (2023). Reframing migrant narratives through arts practice . Arts. 12 (2), p. 58. https://doi.org/10.3390/arts12020058
North Macedonia
Marchevska, E. (2023). North Macedonia. in: Remshardt and Mancewicz (ed.) Routledge Companion to Contemporary European Theatre and Performance Routledge (Taylor & Francis Group).
There Are Other Worlds: Maternal knowledge beyond borders
Marchevska, E. (2022). There Are Other Worlds: Maternal knowledge beyond borders. in: Underwood-Lee, E. and Šimić, L. (ed.) Mothering Performance: Maternal Action London Routledge (Taylor & Francis Group). pp. 67-80
Creative acts of citizenship: Performance of activist citizenship by migrant artists
Marchevska, E. (2022). Creative acts of citizenship: Performance of activist citizenship by migrant artists. in: Czajka, A. and O'Brien, A. (ed.) Art, Migration and the Production of Democratic Citizenship Rowman & Littlefield Publishers.
Finding Home Catalogue
Marchevska, E., Defrin, C., Hussain, N., Bociurkiw, M., Mwashokera, F., Manzur, A., Leanette, C., Amir, N. and Gardner, J. (2021). Finding Home Catalogue . Toronto Ryerson University . https://doi.org/10.18744/lsbu.8y0xw
Third Nature Embodiment of borders and thinking beyond: Surviving despite capitalism
Marchevska, E. and Defrin, C. (2021). Third Nature Embodiment of borders and thinking beyond: Surviving despite capitalism. Journal of Dance & Somatic Practices. 13 (1). https://doi.org/10.1386/jdsp_00037_1
Third Nature
Marchevska, E. (2020). Third Nature.
Interview with Elena Marchevska
Marchevska, E., Šimić, L. and Underwood-Lee, E. (2020). Interview with Elena Marchevska.
Digital Bodies: Creativity and Technology in the Arts and Humanities
Marchevska, E. (2019). Digital Bodies: Creativity and Technology in the Arts and Humanities. International Journal of Performance Arts and Digital Media. pp. 375-376. https://doi.org/10.1080/14794713.2019.1667732
The Maternal in Creative Work Intergenerational Discussions on Motherhood and Art
Marchevska, E. Marchevska, E. and Walkerdine, V. (ed.) (2019). The Maternal in Creative Work Intergenerational Discussions on Motherhood and Art. London Routledge (Taylor & Francis Group).
The Personal is Political: How Polish women negotiate the price of migration
Hawkins, M. and Marchevska, E. (2018). The Personal is Political: How Polish women negotiate the price of migration.
How to talk about gender equality with a 9 year old: Performing feminist values for children
Marchevska, E (2018). How to talk about gender equality with a 9 year old: Performing feminist values for children. Performance Research: a journal of the performing arts. 23 (1), pp. 102-108. https://doi.org/10.1080/13528165.2018.1460456
The Study Room Guide on The Displaced and Privilege: Live Art in Age of Hostility
Marchevska, E (2017). The Study Room Guide on The Displaced and Privilege: Live Art in Age of Hostility. London Live Art Development Agency.
Belonging and absence: resisting the division
Marchevska, E (2017). Belonging and absence: resisting the division. in: Rudakoff, J (ed.) Performing Exile: Foreign Bodies Intellect.
Living in a Terminal
Marchevska, E (2016). Living in a Terminal. in: Santamaria, N (ed.) De fronteres i arts escèniques Lleida, Spain Punctum. pp. 307-317
Performing the Present, Saving the Future: Digital Media Presence in the Work of Raspeani Skopjani
Marchevska, E (2017). Performing the Present, Saving the Future: Digital Media Presence in the Work of Raspeani Skopjani. Contemporary Theatre Review. 27 (2), pp. 391-397. https://doi.org/10.1080/10486801.2017.1343240
Fluidity and friendship: the choir that surprised the city
Marchevska, E (2017). Fluidity and friendship: the choir that surprised the city. Contemporary Theatre Review. 27 (3).
Solidarity and self-organisation as generators of change: The role of self-organised art initiatives in Macedonia
Marchevska, E (2015). Solidarity and self-organisation as generators of change: The role of self-organised art initiatives in Macedonia. Open Engagement [blog].
Borders with/in the mother
Marchevska, E (2016). Borders with/in the mother. M/other Voices. 2016.
The Place where We were Last Together: Encountering the Border from Within
Marchevska, E (2016). The Place where We were Last Together: Encountering the Border from Within. Studies in the Maternal. 8 (1), pp. 1 - 22. https://doi.org/10.16995/sim.210
Performing Inequality: Feminist performative acts as protest gestures
Marchevska, E (2016). Performing Inequality: Feminist performative acts as protest gestures. Journal of Arts and Communities. 8 (1-2). https://doi.org/10.1386/jaac.8.1-2.107_1
Performing Everyday Maternal Practice: Activist Structures in Creative Work [Editorial]
Marchevska, E and Walkerdine, V (2016). Performing Everyday Maternal Practice: Activist Structures in Creative Work [Editorial]. Studies in the Maternal. 8 (2), pp. 1-4. https://doi.org/10.16995/sim.236
Performing everyday maternal practice: Activist structures in creative work
Marchevska, E (2016). Performing everyday maternal practice: Activist structures in creative work. Studies in the Maternal. 8 (2), pp. 1-14. https://doi.org/10.16995/sim.235
Technologies of Change: Body Coded in Motion
Marchevska, E (2010). Technologies of Change: Body Coded in Motion. eSharp.